Truck and Boat

Life is complicated. We own a lot of things that we have to care for. To paraphrase Thoreau, “Do we own our stuff or does our stuff own us?” seems appropriate to me after going through my fishing gear and realizing that I had 40+ years of accumulated equipment that ranged from ice fishing rods to surf casting gear to saltwater fly fishing rods and reels that had never seen the salt.

And then I found this photo I’d taken two years ago. 

A man in a truck, yep he had a dog, a pontoon boat and a small trailer. He owned four fly rods from a three weight to a nine weight. Had a vise and minimal fly tying materials but enough to tie up streamers for fishing the local rivers and lakes. And that was it. I asked about his home, “I have a studio apartment that I rent but I’m not there much. Wife passed away five years ago and me and the dog travel about and fish. I don’t carry much more than I need.”

And there it was, “I don’t carry much more than I need.” 

So I tried to figure out what I needed. So I went through fly boxes, boxes of materials, rods, reels, lines and all the stuff that I had accumulated and I made three piles, “What I needed, what I didn’t need, what I might need.”

When all was said and done, my wife came out and asked what I was doing. So I showed her the picture and told her the story.

“You don’t have a dog and I’m nowhere close to dying.”

I guess I won’t be buying a truck soon either.


Stuart Van Dorn


We're Still Here!

It's been a rough few weeks for us here at Tippets and Tales, but we haven't gone anywhere!

The last week has been tough for the T&T family - my wife lost her uncle last weekend and the injury bug's been going around, leaving me with a broken tibia.  We're getting ready to sell our house, leaving my fly tying supplies to a box in the garage, and a desire to tie I haven't felt in years.  I guess when you know you can't, there's not much more you want.

With all that's gone on, it's left our Spring up in the air, and the WI Trout Opener, pretty much out of the question.  I'll rely on Stuart to get some early fishing reports up, and have set Peter Cozad's Driftless One Fly Competition (March 28th at the Driftless Angler) as my goal for getting back on the water.  

If you're luck enough to have the chance to get out and do some fishing, best of luck, and be sure to catch one for me!

Lots of Sportscenter and fishing movies for this guy

Lots of Sportscenter and fishing movies for this guy

One on One - Christian Horgren

As I was first beginning to discover fly fishing and all it entailed, I found Cameron over at the Fiberglass Manifesto and fell in love with his blog.  I loved the detail in the rods he was featuring, from all over the world.  From custom stacked bamboo reel seats, hand made hardware, and the reel collections many of the beautiful rods featured made me envious and excited to try and start my collection.  

One of the builders that Cam often featured was Christian Horgren.  From the first rod of his I saw, I was enamored with his clean designs, hand made reel seats, and really liked the way he presented his builds.  His set up, bright backgrounds, macro shots - all highlighted his talents.  With our second installment of the monthly interview, Christian was kind enough to pull the curtain back and tell us a bit more about himself.  

 
 

Tell me a little bit about yourself.  

I grew up in the countryside on a small island in the biggest lake in Sweden. When I was 20 years old, I moved to Stockholm, the capital of Sweden, where I now have lived for 22 years. I consider myself a blend of my rural background and the pulse of city. I did a lot of fishing when I was a kid, but it all came to an end when I was a teenager. I spent all my free time playing cello and jazz guitar, and didn’t pick up fishing again until I was 30 years old. I’m 41 years old today, and I live with my family in the center of Stockholm.

 

What do you do for a living?

I work as an architect, mainly with office interiors, but I work in all scales. I’m a trained house architect, but I work a lot with furniture, fittings and details. I have always been interested in architecture and design. It surrounds us which is an important notion for me. That’s why I love the city - almost everything is man made. I’m not a fan of ambitious design, of artifacts that scream out ”hey, look at me!”. The world that surrounds us is most of the time functional and silent. I like that.

 

What led you to fly fishing?

My grandfather was a fisherman. My uncle is a fisherman. I grew up on an island. It’s part of my heritage. But I have never considered myself as being a fisherman. My claim to this sport is more related to the craft and theory around the artifacts of fly fishing.

 

What’s your favorite type of fishing (dry fly, nymph, streamer, worm and bobber)? 

I’m a pragmatic fisherman. I use the flies that works best for the moment. I believe in presentation rather than imitation.  Most of the time, I end up using general patterns that can be fished both dry and wet. I would love to learn more about nymph fishing, but when it comes to sub-surface fishing, I prefer streamers.

 

What would you consider your home waters?

I’m involved in a restoration project north of Stockholm. We are working on a stretch of flowing water, trying to restore an old brook trout habitat. This is where I spend most of my fishing time. But my heart is where I started to fish with my father 30 years ago, in Femundmarka in Norway. It’s a national park in the Norwegian mountains with great fishing for trout and grayling. Unfortunately it’s seven hours drive from where I live, so I don’t spend much time there nowadays. 

 

What led you to rod making?  When did you make your first rod?

I started to build fly rods during my first parental leave in 2007. I have always been working with my hands, building architectural models in balsa wood and doing mock-ups and prototypes. In the beginning, rod building was like armchair-fishing, but very soon I understood that I have the same mover in rod building as I do when I’m playing a musical instrument or designing a house: curiosity and the urge to master a box of tools. I’m haunted by the search for perfection.

What was the first rod you built?  

My first rod was a Sage SLT 696-4. It had a preformed grip and a Struble reel seat. I remember my difficulties with the finish work. It takes time to master epoxy.

 

How long does a rod take you to build a rod from start to finish?

It depends on the level of custom work. A typical Fine Tackle rod has my own reel seat hardware, which adds a couple of hours. I would say 8 hours is what it takes to make a presentation grade fly rod.

 

When you begin building a rod, how do you select and source your components?

I have a large stock of materials in the work shop. I’m always looking for new materials that can be turned or blued to fit my style. I’m using brass and nickel silver tubing for most of my hardware, combined with different kinds of wood and polymers. It’s fun to find new applications for different and unexpected materials. I like to use cheap materials on my builds, like rubber for example.

How much of a rod is hand crafted by you?  Components and seat etc?

I make my own reel seats and turn my own grips. I make the rod socks from scratch, and I cut and fit and finally label the tubes. I take great pride in all this. In every manual step throughout the process, you add personality to the rod.

 

Where do you find inspiration for your work?  What drives your designs?

I can get inspiration from basically anything. Other builders and old rods, of course. Different materials and how to join them is a very basic approach and strategy for a trained designer, and it applies for me as well. New finishing techniques and color combinations are important as well. If I should mention a few traditions or styles that has been extra important to me, it would be vernacular Japanese craftsmanship and contemporary Swedish silver design.

 

How would you describe your “style” or design aesthetic?

I like understated and functional design. Some call it minimalistic and Scandinavian, but I prefer not to label it such. I like it when it’s silent and self-explaining. I sometimes even find myself nodding positively towards things that are suffering from obvious mediocrity. Good design doesn’t have to claim itself all the time. Sometimes it’s nice to just function and exist. 

Do you have any recommendations for someone looking to have a rod built?

Have patience and don’t hesitate to redo things. Think twice before you make a move. Don’t believe all you read on the internet. Try to add somehting personal instead of copying someone else. Stay true to your personal style. Keep it simple. Have fun.

 

What are your favorite characteristics in a rod?  Your favorite blank models?

Most of my rods are 3-6wt trout rods in 7’-8’ length.  I love parabolic tapers, they are so fun to cast and play fish with. My favorite tapers all have a deep bending curve combined with a fast recovery. Most of my trout rods are progressive tapers, and many of them are on the soft side of medium. As long as they are crisp and responsive, I like them quite soft. Two of my favorite tapers are the Larry Kenney 7’9’’, 4wt rod (progressive), and Mario Wojnicki 227P4 (semi-parabolic 7’4’’, 4wt). I’m also a big fan of the Tom Morgan fiberglass rods. He has a very consistent line-up, all recognizable and very capable tools. If I’m allowed to include impossible-to-acquire rods, I would like to add the fiberglass tapers from Dennis Franke made in the 90’s. I love his theoretical approach and sparse builds. Mark Steffen rolled some of the blanks for Dennis, and Mark once told me that ”Dennis thought that perfection was possible”. I love that quote.

 

When you’re not building rods or fishing, what are some of your other hobbies?

To be honest, I consider myself more of a musician than a rod builder. Making fly rods is just the logical conclusion of all my different personalities. Music is more complex and a very emotional thing for me. It’s sublime and subliminal, beyond all languages. Rod building is more like a really nice job…

To anyone out there looking to learn a bit more about you and Fine Tackle, where should they go?

I have a blog www.finetackle.blogstpot.com and a Facebook account where I post news on a regular basis. If you are interested in purchasing a rod, don’t forget to keep an eye on my international vendor www.alternativetackle.com in the UK. New builds are listed every month.

 

The Group

Fly tying requires what some refer to as "essential skills," and so I'm wondering, while working on a program to teach a beginning fly tying class, what skills are essential and can be taught in two, two hour classes?

The group at Corens Rod and Reel continues to grow and with that growth we now have tiers with a range of skills and there is a concern: how to help the beginners but challenge the more advanced tiers. This is a problem for all fly tying groups, whether they are tightly structured or a loosely knit band of feather wrappers.

This problem generated the idea of a class to accelerate the skill sets of beginners as well as teach fly tying to a novice. (It was that or putting in a wet bar for the advanced tiers.)

So I made a list based on observation, reading, and a number of years working with different groups and teaching a number of fly tying classes. Which was then filtered between Eric's twenty years plus of running a shop and working with beginners and my twenty years plus of tech writing. And so we decided to start up a fly tying class for beginners and/or novices.  

But not just a, "here's a woolly bugger and how to tie it," type of class. Instead it will focus on skill sets, i.e., setting up your vise, putting a hook in the jaws correctly, how to lay down a thread base, do a pinch, wrap different materials on a hook, proportions, how to do a soft loop, how to read a recipe and so on. I don't know as of yet what we will call the class, however I am certain between Eric and I that we can come up with a pithy title. And we have, Basic Skills for Beginners.

The class will be limited to six, run two Saturdays, and each session be two hours long. Cost will be fifty dollars, tools and vises will be available and all materials will be provided. In other words, all you have to do is show up.

At the end of the class, the goal is to put a recipe on the table, all the materials necessary to tie that pattern, an example of the fly and armed with their new skills, the beginner should be able to tie that fly with confidence.

Eric and I have confirmed the two dates: March 14th and March 21st starting at 9:00 am at Corens and running till 11:00.

If time allows, I will assemble a notebook, complete with photos and drawings and once it's been proofed, tested and refined, I'll post it. Of course if it's an abysmal failure...

But as a philosopher once said, "...anything worth doing is worth doing badly."

I have accumulated ideas from a number of notables, including Jay "Fishy" Fullum, Lefty Kreh, and others that I've met over the years. Add to that a collection of fly tying books from which I've stolen as many ideas as I can.

So now it's time for the shameless self-promotion part of this. If you know someone who is interested in learning to tie a fly but isn't sure whether they want to invest in tools, this is the perfect opportunity for them to see if they like tying before they spend any money getting started.  

Then of course, when they come to a Thursday night at Coren's, or to any tying group, or watch a You-Tube video, they'll be able to wrap feathers on a hook with the best of them.

At least my hope is that they will.

Here is the information: 
Basic Skills for Beginning Fly Tying
Location: Coren’s Rod and Reel
6001 N Nina Ave, Chicago, IL 60631
Phone: (773) 631-5202
Email: eric@corensrodreel.com
Dates: March 14th and 21st
Times: 9:00 – 11:00
Cost: $50

I hope to see you there!

-Stuart


How to Shoot a Shotgun Like a Pro

I've been shooting sporting clays for about fifteen years now and just now finding a passion in bird hunting.  With my wife, and a few other guys I know, getting in to shooting and starting to pick up using firearms, their understanding of how to use these weapons responsibly and correctly is very important.  

When I came across this short video and breakdown of sport shooting with a shotgun on Gear Patrol  I enjoyed it and thought it provided a great refresher.  If you're new to using a shotgun or starting to get more in to sport shooting, here's a a great how to for mastering shooting with a shotgun.  

How to Shoot a Shotgun Like a Pro

Should you write or publish your work for free?

I took a recent, albeit impromptu poll about being paid for you work, of some friends of mine who are professional writers, artists, designers and photographers.

This started because I submitted a query letter to an on-line publication about an article I had been working on. At the end of the letter I asked about payment rates for writing, illustrations and photos. Imagine my response when I was told, "We don't pay for articles, photos or illustrations. We also retain publication rights." 

If you are not a professional writer, you're probably wondering what this means. It means that they can resell your article/photos, re-use your article/photos and use your article/photos in marketing and publications without you getting a dime.

Still want to write or submit photos for free?

The poll revealed a couple of things:

Don't work for free

Standard rates should apply (Get a copy of The Writer's Guide)  http://www.amazon.com/Writers-Editors-Publishers-Literary-Edition/dp/0761537457 

You should only allow a one-time only publish and no reprints

But there was a bit of a caveat: unless you can afford to, or unless you're a young writer looking for more prominent exposure, writing for free might be okay. (Might, being the operative word.)

It's simple if you think about it, a publication makes money by selling advertisement. If a publication has a rate chart, they're selling ads. Advertisers want to know how many subscribers the publication has and what demographic they serve. Subscribers want content that is worth reading, useful, and entertaining. You, as a writer/photographer/filmmaker provide that content. And when an advertiser looks at a magazine it wants to advertise in, guess whose work they look at? That's right, you are generating revenue and working for free while someone else profits from your work.

Let's say you're a guide, imagine if I brought two people on a guided trip, you row, put us on fish and I collect the fees and tip and give you a handshake with a smile. Then say, “There might be some residual reward for you for doing this.”

Or you go to your day job and they say, “Hey thanks for helping us make a profit, and no, we’re not paying you because we’re such nice folks.”

Still want to write for free? Still want to schlepp camera and gear around just to get a handshake, a wink and a byline?

Unless the publication is prominent, I suggest you bypass working for free. A couple of things to remember, if you get a reputation for doing work for free, it suggests that your work isn't professional and if you want to start charging you might find it difficult to get someone to pay you what is considered a standard rate.

Remember the line, "If you can get the milk for free, why buy the cow?"

So here’s a few tips for you:

Check the references of the publication and see if they have a rate for writers. If not, move on.

Buy a writers guide and see whose buying articles.

Write a query letter and see if they're interested in your idea and willing to pay.

Most importantly of all: write and edit your work until it is polished and professional.

Clean up your photos and make sure they're in a format the magazine can use.

Be professional and you can charge what the market will bear.

There are some on-line magazines that profit from your work. There are print magazines that profit from your work.

The important question is, how do you profit from your work?  

 

 

Stuart Van Dorn

Mr Van Dorn in his element

Mr Van Dorn in his element

Bar Flies at Chi-tie

Most tying groups meet in churches, in a meeting room in a store, or someone’s home or even at colleges. Personally, I always thought it would be best if we could meet in a bar. Good company, beer, tying and food with a never ending jukebox and darts in the background.

Welcome to Chi-tie!

Eric Heckman, from Coren's, who has tied with the group before asked me to venture along with him on Monday night. The group meets the second Monday of the month, starting at 6:30 and they’re currently at Galway Bay Bar.

The February gathering was the largest they’ve ever had. Which is good for the group and good for the bar. I had a chance to catch up with a buddy, Adam Marton, who works with the Bonefish and Tarpon Trust, and heads up AM Film Productions. As good a guy as you’d ever want to fish with. And he has a really nice fly tying box that I’ve threatened to steal a number of times. Also there was Nikki, who manages the downtown Orvis Store, and a number of people whose names I’ve simply forgotten and apologize for. Except for Dave, who is the ringleader of sorts of this diverse tying group.

So here’s what you need to know. This is a tying group, that is, you bring your stuff and you sit and tie and you chat and drink beer and socialize and tie some more. You talk about patterns, you talk about materials and you talk about fishing. (And drink beer.) There’s no demonstrations, no videos, and no guy saying, “Well you see, I’m the president of the group and so on…” This is tiers getting together to tie.

So last night, Adam tied a floating crab with deerhair, Dave tied a nifty baitfish pattern, there was a foam frog, a pink clouser, a bugger type fly with a barred rabbit tail, I tied streamers, Eric tied a  chickabou crayfish pattern and there were nymphs and so on being tied.

If you plan to go, and you should, a couple of suggestions.

Know what you want to tie and just bring those materials. The tables are bar tables and so room is a premium. If you have a light for your vise, you might want to bring it. This is a bar not a well lit room, although it’s adequate, some supplemental lighting would be helpful. If you drop something on the floor…forget it unless it’s big and shiny. It’s a bar floor and dark. Tip the bartender, he’s the one who lets you tie there. Thank Chi-tie for putting this together.

Also, parking isn’t easy in the city. If you can car pool or take public transportation, do so.

As always, you’ll meet nice people, if you walk around and chat with other tiers you’ll earn some new things. You’ll find sources of new and interesting materials and as always, discover that fly tying, while it has its traditions, isn’t stuck in the past. The people you’ll meet at a Chi-tie session aren’t tying your daddy’s dry flies.

So here’s to beer and fellowship and a toast to Chi-tie!

See you in a month.

Stuart
Blog address: http://chi-tie.blogspot.com/

Meeting: 6:30 start time on the Second Monday of the month.
Location is: 
Galway Bay bar
500 W Diversey Ave, Chicago, IL 60657

 

My Next Adventure?

So I'll be honest - I'm a dreamer.  Dreams get me through the days, weeks and months.  I'm even willing to call some of my dreams goals, as not all are completely out of reach.  But more often than not, I'm trying to reel in my brain and get it back on track.  If only I could get paid for day dreaming.  

I'd love to be able to have unlimited funds and the chance to travel around the US or World and chase as many varieties of fish I can find.  To have my wife alongside as we travelled around spending time in different places enjoying the outdoors would be phenomenal.  

One adventure that is high on my list is getting out West and breaking out the mountain bikes and fly rods and riding our way to some, well off the beaten path, trout streams.  Toss a backpack full of my camping and fishing gear on my back and ride off in to great unknown of the wilderness.  

Outside Magazine recently featured a video of a few buddies who did just this and turned it in to a short film.  We follow Eric Porter, along with Neil and Ian Provo, as they venture out to the Unita Mountains for a few days of fun.  

If you're like me and love to ride and fish, I challenge you to watch this without feeling the tug of the mountains.  I'm ready to pack up my gear and head out.  Slough Creek one of these days, Keith?  

 

In September 2013, Eric Porter, along with Neil and Ian Provo, set out in search of a grand adventure in their own backyards. In true multi-sport fashion, they grabbed their mountain bikes and headed into the Unita Mountains with fly rods in tow. They completed a loop that brought them in and out of 4 different river valleys where they camped and fished from their bikes.  

Recycled Waders

The mourners slowly paraded by the pine box and one by one dropped something into the casket: elk hair caddis, royal coachman, humpies, zoo cougars, sex dungeons, clouser minnows, at the end of the day, a small mountain of fur and feathers accumulated.  The funeral director said she'd never seen such a colorful display.

Hough was decked out as well as any guide, including hat, sunglasses, although we agreed that you never iron a fishing shirt nor vest and some were guessing that he had either wader pants or no pants on. A few of the women were trying to take a peek under the cover.

We were huddled in the back, the olive/tan bunch would have been the best way to describe us and if you took the vest off of Hough, it could have been any one of us in that wood box.

We were talking about what a nice turnout it was and it was good to meet up with a lot of Hough's friends and clients. In our area he was one of the most respected and busy guides that we'd met. Then a woman standing near us has to ask, "He was so handsome, how’d he die?"

It must of have been how we dealt with our grief, I tried not to laugh, Timmy was staring at the floor and the grin was starting, of course Hawk couldn't hold it in and we had to move outside where the laughter finally stopped when Pat said, “C’mon guys, show some respect for the dead,"

But the story never went away and on a long float we'd be asked, “What do you know about that guide was killed, wasn't he part of your crew?"

I had made the 911 call and was there the day he died. I usually tell them it was just a tragic accident but the boys in the crew happened to be close by and so we all knew.

I had just come past the bend and was rowing for the take out area. Hough's client, as pretty a girl as you'd of ever met made an errant cast and stuck the hook right through her waders and it went deep into her thigh.   She started yelling and screaming. Hough, ever the gentleman, got up to pull the hook out but it was stuck solid, he was certain he’d debarbed it but then there were those late night ties, where he’d miss a few. This must’ve been one of them.

And between the yelling, screaming, and chaos of the moment.  Hough forgot to set the anchor and the boat hit an eddy and spun him out of the boat. I rowed to get him but he'd gotten back to the boat and was able to pull himself in.  He got the boat to shore, got his client quieted down and asked her to pull her waders down so he could get the hook out. He stripped out of his waders and wet clothes and wad down to just his shorts and wet socks.   

The client has dropped her waders down and it was a warm summer day so she'd decided to wear a string bikini.

So let me tell you about Hough. He rowed nearly every day, he was, and we all thought this was sad, a vegan. Yep, a vegan guide, and while most of drank beer, there'd be Hough, drinking bottled water or some sort of juice. He'd been photographed so much with his shirt off that we were going to nickname him six-pack. Ruggedly handsome was the copy line they’d said about him the small town paper.

Women weren't his strong suit. “ I love women, married, single as long of their of age, I love em all.” And they loved him.

Hough certainly seemed to have no end of dates usually single or so we thought.

And there he was, half-naked with a half-naked woman, bent down and pinching the barb off the hook, her hands on his back, his hands on her bottom, her going,"Ow, ow, ow" and bucking as he gently eased the hook out. Then her grateful and embracing hug.

I heard the shot and they both went down.

And there stood the woman’s husband, "I told her if I ever caught her with another man, I’d shoot em both!”

I row and look at where Hough and I had spent a good deal of time. After the funeral I gathered up his waders and sent them off to Seattle.

He used to put a little HH, at the bottom of his chest straps and so when the bag I'd ordered arrived, I checked to see if they were there but didn’t find any letters of marks. However late at night, when the light hits the lining just right, it seems to glow, and the next day the fishing is always great.

It carries a log book and a fly box that Hough had made for me the first year I started. Last night it glowed with a yellow light as bright as I’d ever seen. On the way out I looked at the calendar, it’d been two years to the day. So I loaded up with some spring water, organic everything and headed out to meet my client. She was a redhead and I stopped to make sure that all my hooks were de-barbed.

All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.

Note: no one has to die in order for you to send your waders to www.recycledwaders.com some shops will offer to send them in for you and give a small percentage off of your purchase of new waders. Please contact your local fly shop and see if they offer this service.

I have the messenger bag and I can vouch for the build quality and uniqueness of the bag.

 

Stuart Van Dorn